Antes e depois : análise da trajetória de artistas de periferia em matérias do Diário Gaúcho

Abstract

This work has as its theme the Stars outskirts section, the Diário Gaúcho newspaper, which revolves around music artists living on the outskirts of Porto Alegre and the Metropolitan Region. The goal is to see how the outskirts of musicians, who had no space in the media before and who are the section of object to be published, reacted before having their stories published there. How was the process of publishing such reports and what happened to them after the publication of their reports, or what did not happen, are questions to be answered as well. The goal is also to check the news and social importance of the vehicle in order to give a fixed, weekly space for artists of all genres, which had no disclosure in traditional media until then. Aiming to represent or take a look in the analysis, we selected five artists at different times, which were the subject of materials in Stars outskirts, between 2009, when the section began, and 2016. Funk Representatives, pop, pagoda and frontiersman, who were interviewed in person and by email, told their stories before they have their material published and brought impressions and facts to support what happened next. After contextualizing journalism, popular journalism, and talking about popular newspapers in the world and the country in the first chapters, research dissects the history o Diário Gaúcho newspaper, its peculiarities as popular newspaper and its operation. Ahead, the work tells the story of the emergence of the section that gives space to the outskirts of artists, explains its various stages and shows the changes that Outskirts of Stars spent over seven years. In the interviews, the dissertation tries to analyze critically how the newspaper treated the artists in their stories, if the journal monitorized them and the progress that they had or not after the publication. In order to understand how artists saw themselves before the matter, which was his speech, this dissertation bails conceps used by Dominique Maingueneau in Discourse Analysis, which argues that the speaker's speech reveals the image he gives us a glimpse of himself in process. We identified through this analysis that the paper fulfills a social function more than proper news, aiming to make room for the young artists of the periphery as it does not apply some journalistic rigor to accompany them after the publication of their materials, for example. The newspaper also highlights his social front paper the reader when you try an even closer relationship with your community, by publishing stories outskirts of artists, beginners, who are often neighbors that reader who buys daily newspaper, making it sees in the newspaper, seeing that their community is "perceived" by the communication vehicle.